Various – Stereo For The Joy Of It - Classical Music Of Today In The Sound Of Tomorrow (1959) 10xLP, Box Set, Stereo
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$ 115.00Stereo For The Joy Of It - Classical Music Of Today In The Sound Of Tomorrow is a collection of ten classic classical albums.
Style: Classical, Romantic, Modern
Vinyl: EX (records look unplayed, a few have some light imprints from the plastic sleeves they came in, records have not been cleaned.)
Cover: VG+ / EX (minor edge and corner wear, couple small split on the bottom middle seam of a couple of the inner pouches.)
Label: RCA Victor Red Seal – LSC-9300
Country: US
Tracklist:
Eroica Symphony | |||
Munch, Boston Symphony | Symphony No. 3 In E-Flat, Op. 55 ("Eroica") | ||
A1 | – | First Movement: Allegro Con Brio | |
A2 | – | Second Movement: Marcia Funebre Adagio Assai (Part 1) | |
B1 | – | Second Movement: Marcia Funebre Adagio Assai (Concluded) | |
B2 | – | Third Movement: Scherzo: Allegro Vivace | |
B3 | – | Fourth Movement: Finale Allegro Molto | |
Pathétique Symphony | |||
Boston Symphony Orchestra ... Pierre Monteux | Symphony No. 6, In B Minor, Op. 74 ("Pathétique") | ||
C1 | – | First Movement: Adagio; Allegro Non Troppo | |
C2 | – | Second Movement: Allegro Con Grazia | |
D1 | – | Third Movement: Allegro Molto Vivace | |
D2 | – | Fourth Movement: Adagio Lamentoso | |
New World Symphony | |||
Fritz Reiner ... Chicago Symphony | Symphony No. 5, In E Minor, Op. 95 ("From The New World") | ||
E1 | – | First Movement: Adagio; Allegro Molto | |
E2 | – | Second Movement: Largo | |
F1 | – | Third Movement: Scherzo: Molto Vivace | |
F2 | – | Fourth Movement: Allegro Con Fuoco | |
Hi-Fi Fiedler And The Boston Pops | |||
Fiedler And The Boston Pops | Suite From "Le Coq D'Or" | ||
G1 | – | King Dodon In His Palace | |
G2 | – | King Dodon On The Battlefield | |
G3 | – | King Dodon With The Queen Of Shemakha | |
G4 | – | March | |
H1 | Fiedler And The Boston Pops | Overture To "William Tell" | |
H2 | Fiedler And The Boston Pops | Marche Slave | |
Billy The Kid / Rodeo | |||
I1 | Morton Gould And His Orchestra | Billy The Kid — Ballet Suite | |
I2 | Morton Gould And His Orchestra | Billy The Kid Waltz | |
Morton Gould And His Orchestra | Rodeo | ||
J1 | – | Buckaroo Holiday | |
J2 | – | Corral Nocturne | |
J3 | – | Honky Tonk Interlude And Saturday Night Waltz | |
J4 | – | Hoe-Down | |
Violin Concerto | |||
Heifetz, Chicago Symphony, Reiner | Concerto In D, Op. 77 | ||
K | – | First Movement: Allegro Non Troppo | |
L1 | – | Second Movement: Adagio | |
L2 | – | Third Movement: Allegro Giocoso Ma Non Troppo Vivace | |
Concerto No. 2 / Symphonic Variations | |||
Rubinstein, Wallenstein, Symphony Of The Air | Piano Concerto No. 2 In G Minor, Op. 22 | ||
M1 | – | First Movement: Andante Sostenuto | |
M2 | – | Second Movement: Allegro Scherzando | |
M3 | – | Third Movement: Presto | |
N | Rubinstein, Wallenstein, Symphony Of The Air | Symphonic Variations | |
Pictures At An Exhibition | |||
Fritz Reiner, Chicago Symphony Orchestra | Pictures At An Exhibition | ||
O1 | – | Promenade | |
O2 | – | Gnomus | |
O3 | – | Promenade | |
O4 | – | Il Vecchio Castello | |
O5 | – | Promenade | |
O6 | – | Tuileries | |
O7 | – | Bydlo | |
O8 | – | Promenade | |
O9 | – | Ballet Of The Chicks In Their Shells | |
O10 | – | Samuel Goldenburg Und Schmuyle | |
P1 | – | The Market Place At Limoges | |
P2 | – | Catacombae, Sepulchrum Romanum | |
P3 | – | Con Mortuis In Lingua Mortua | |
P4 | – | The Hut On Fowl's Legs | |
P5 |
– | The Great Gate Of Kiev | |
Bolero | |||
Q1 | Charles Munch, Boston Symphony Orchestra | Bolero | |
Q2 | Charles Munch, Boston Symphony Orchestra | La Valse (Choreographic Poem For Orchestra) | |
R1 | Charles Munch, Boston Symphony Orchestra | Rapsodie Espagnole | |
R2 | Charles Munch, Boston Symphony Orchestra | Prelude To The Afternoon Of A Faun | |
Lieutenant Kije / Song Of The Nightingale | |||
Reiner, Chicago Symphony | Lieutenant Kije, Op. 60 | ||
S1 | – | I. The Birth Of Kije | |
S2 | – | II. Romance | |
S3 | – | III. The Wedding Of Kije | |
S4 | – | IV. Troika | |
S5 | – | V. The Burial Of Kije | |
T | Reiner, Chicago Symphony | Song Of The Nightingale (Symphonic Poem) |
All our regularly priced used vinyl goes through and 10 minute Ultra Sonic cleaning (the best cleaning) and is then graded visually under bright light, with a partial play grading when deemed nessary.
We encourage you to view all the pictures and read our comments on the conditions, as we find these to be more beneficial than a standard grade. Occasionally we'll use a grade range (ie: VG / VG+) for either vinyl or cover if condition is borderline and hard to stick in one category.
NOTE: We do not grade or mention the condition of original printed inner sleeves (if the record has them) though we will often picture them if included. If this is a concern of yours you can contact us and ask us.Sealed:
Only given to factory sealed records. Of course since the record is sealed we cannot guarantee there are no pressing flaws or minor warping, and since most of the sealed records we sell are out of print and collectible if opened they cannot be returned as the value has been decreased, if we make an exception it maybe subject to a 50% restocking fee.
Mint:
Vinyl - only given to records we personally acquired new, opened them but never played, or were shipped from the label unsealed.
Cover - is still sealed.
Near Mint (NM):
Vinyl - a unsealed record that looks nearly flawless.
Cover - may have light typical storage wear.
Excellent (EX):
Vinyl - may have one or two light scuff marks but should play just as well as a NM record.
Cover - has some very minor cosmetic issue, like a light crease, light ring wear, nothing that is very noticeable.
Very Good Plus (VG+):
Vinyl - will look played, may have some scuffs and light surface marks / scratches. May have light surface noise such as pops, clicks and crackles but it should be occasional and not consistent and not overwhelming. May have light warping but it should not affect the play.
Cover - will have noticeable wear such as ring wear, seam splitting, writing on cover, creases, etc. Could be a couple items (not all) and they should not be major.
Very Good (VG):
Vinyl - will look VERY played, have lot of marks, scuffs, scratches (possibly deep), play with noticeable maybe even consistent background noise but is still listenable. May have warping but it should not affect play.
Cover - will have a couple cosmetic issues ring wear, seam splitting, writing on cover, creases, etc and it will be very pronounce.
Good (G):
Vinyl - will play but will have a lot of issues and have a lot of loud background noise. We will rarely list a record in this condition.
Cover - cover is damaged to a point where it is not usable to house a record. All the seams are split, the panels are moldy, major writing all over, etc. The only time we'll list a record with a cover in this shape is if it's rare or the record is in great shape.
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