Interrabang does live up to it's cryptic definition. A majority of the time you will question what the point is, and when is something going to happen, with a payoff that actually is exciting and fairly well done.
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Dial: Help is a modern supernatural spin on the classic Italian giallo, from famed euro sleaze director Ruggero Deodato. While panned by his Cannibal Holocaust fans, its an interesting, albeit campy, film that could be an asterisk in the giallo sub-genre.
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The Raffle is surprisingly entertaining. Most reviews write it off as odd or unfunny, but I think they failed to understand this film is not meant to be your typical Italian comedy (which I've seen my fair share of and typically am not a fan) this is much more of a "dramedy" or dark comedy, somewhere between Ostinato destino, which Bellucci would star in following this film, and the much more dramatic Vita coi figli.
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Desert Of Fire is the type of hallucination one might have from the lingering effects of heat stroke. A blonde Italian beach bum with a golden guitar, a Chinese Mr. T, and French goddess
Edwige Fenech, all hunting for a hidden cash of weapons in the middle of the desert.
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Ostinato destino (Wayward Destiny) is reminiscent of an adult version of The Parent Trap, starring Monica Bellucci in a dual role of good and evil twin sisters Marina and Angela who attempt to pull a temporary switcheroo leading to wild hijinks and unanticipated romance.
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The Bloodstained Lawn is an interesting diversion to the standard Italian giallo format, yet struggles to formulate a satisfying payoff that it spends most of the film building up to.
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Marisa Mell claimed this to be one of her most enjoyable film roles, taking into consideration her personality and hectic love life it's not surprising. Her performance manages to save this film from being another bland Italian comedy.
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Danger Diabolik proves that a well crafted film from a comic book series can be done with no CGI, stay loyal to the lore, and do it on a budget that is less than what a modern day film likely spends on craft services. And in the end be one of the most underrated top comic book films ever made.
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Italian comedy icon Toto
Esposito can survive WWII, the Nazis and a life of poverty in Are We Men or Corporals, but can he survive a broken heart and the constant feeling of "the man" (or Corporals) with their foot on his face shoving him back down? The film also features the first appearance of cult film icon Sylva Koscina.
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The age old story of disputed love between the wealthy and the poor. How do you improve upon a plot that's been recycled since almost the beginning of time? Well, Monica Bellucci in a corset or giving herself a sponge bath is a start.
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Monica Bellucci is breathtaking, and it's interesting to see that her first on screen role essentially was the basis for the proactive roles she'd be known for taking on most of her career. From day one she decided to follow the motto "if you've got it, flaunt it".
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The dual character of Susan and Monica was a perfect role for Marisa Mell, she oozes a raw sexuality in general and playing a sort of sexually uninhibited, and mysterious character seems quite natural for her.
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