Explore the quirky world of Nightmare Weekend, a cult classic that delivers campy shlock with a twist. Discover the eccentric background of this offbeat film and enjoy the attractive 1980's women who don't hold back.
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The film's relatable simplicity and consistently gripping plot allow it to stand out among other horror films of its time. It skillfully maintains an air of mystery and tension without relying on cliches, while still incorporating moments of humor to prevent it from becoming too dark.
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Waxwork successfully captures the essence of 1980's supernatural and horror films, transporting viewers into other worlds of cinema horror history. But does it melt before the plot of the film has the appropriate time to cure?
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Out of the handful of Rollin works I've watched thus far, Fascination stands out as the most memorable both in execution, plot and cast. It's an easier film to get through than some of his earlier vampire centric works, which are visually beautiful but lacking the depth of plot to keep most viewers attentive.
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Death Spa offers a fair share of camp, with plenty of 80's American flare and a lot of beautiful women in spandex or very little at all, which may or may not be ruined by the ending which quickly spirals out of control.
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Shadow Puppets manages to surprise and be more than simply a low budget horror / thriller that squeaks by solely on the merit of Jolene Blalock and Natasha Alam walking around most of the film in their underwear.
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Sukkubus is a perfect example of how to completely squander an opportunity to make a truly classic euro-cult horror film by taking a unique setting and an incredibly sexy Italian model (whose willing to not wear anything), and spend most of the time following three herdsmen around doing their daily chores.
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Alien Terminator contains neither an alien nor a futuristic cyborg assassin. But that really doesn't matter because what other film features a crackhead Corey Feldman double, a cowardly Billy Ray Cyrus clone, the country bumpkin version of Bradley Cooper, Maria Ford pre-cosmetic surgery and the spicy
Lisa Boyle whose credited under two names!
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While I prefer my B-movies "made in Italy", in terms of American camp anything Roger Corman is attached to is usually about the best in entertaining crap you can get made in America, as most of his films purely aim to please the basic senses, which is pretty well accomplished here.
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If someone spent the time editing out about an hour of what can only be described as the actors filming their vacation, you'd be left with thirty minutes that might be at least watchable as a short.
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On the heels of
The Vampire Lovers quickly followed the very controversial sequel,
Lust For A Vampire. It was controversial in the sense that everyone seems to have an extremely different opinion about it. But what's most surprising is the opinions of those who actually worked on it!
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Never once was I bored as Ingrid Pitt, manages to flawlessly play a seductive vampire who toys with her prey or simply goes for a jugular. After viewing this it's quite clear why she is thought of by many as one of Hammer's top female icons.
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Before she was famous Kate Beckinsale co-starred in this quaint British horror / suspense film that manages to succeed on almost all levels with good acting, atmosphere and a very simple execution.
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With an upbeat jazz / funk soundtrack, a Shakespeare loving Countess who orders the inhabitants of the village to sacrifice their appendages to feed the unsuspecting visitors, and a ghost child who kills his only friend in a vain attempt to save her, there's never a dull moment.
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