Production wise Labyrinth is top notch for it's time, and probably only the special effects could be bettered with today's technology, the sets and puppets are all very lifelike and believable which really helps bring the fantasy essence of the film to life.
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The Colony is a perfect example of false advertising. It's typical Sci-Fi Channel schlock with after-the-fact repackaging, re-branding, and the blatant pointless flauntingly of blonde beauty
Jennifer O'Dell (who was never in the original version) to sell some DVD's.
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Sukkubus is a perfect example of how to completely squander an opportunity to make a truly classic euro-cult horror film by taking a unique setting and an incredibly sexy Italian model (whose willing to not wear anything), and spend most of the time following three herdsmen around doing their daily chores.
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The Bloodstained Lawn is an interesting diversion to the standard Italian giallo format, yet struggles to formulate a satisfying payoff that it spends most of the film building up to.
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Alien Terminator contains neither an alien nor a futuristic cyborg assassin. But that really doesn't matter because what other film features a crackhead Corey Feldman double, a cowardly Billy Ray Cyrus clone, the country bumpkin version of Bradley Cooper, Maria Ford pre-cosmetic surgery and the spicy
Lisa Boyle whose credited under two names!
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Transformations is a really bad soap opera masquerading as a cheesy science fiction horror film whose only silver lining is it's sandwiched between Italian model Pamela Prati's breasts and a minuscule amount of action at the end.
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If you're a sucker for bad movies filmed in the Philippines, with no plot, an obligatory cock fighting scene, a drunk insurance investigator, the hot redhead who played Greedo in Star Wars, an army of butt kicking beauties, and of course Vic Diaz, then Wonder Women is the film for you!
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Even Roger Corman told him [director Jim Wyonorski] he hated the film, only conceding there was a few good camera shots and the actresses were attractive. When Corman doesn't like your campy film seems to me that says something.
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The shining light of the film is lead actress Caroline Munro, whose supermodel physique and skimpy, skin tight costumes only help make Starcrash that much more enjoyable.
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While I prefer my B-movies "made in Italy", in terms of American camp anything Roger Corman is attached to is usually about the best in entertaining crap you can get made in America, as most of his films purely aim to please the basic senses, which is pretty well accomplished here.
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If someone spent the time editing out about an hour of what can only be described as the actors filming their vacation, you'd be left with thirty minutes that might be at least watchable as a short.
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Considering the title, Deadlier Than The Male, it should come as little surprise the film focuses quite largely on the fairer sex, and oh boy do they give every Bond Girl a run for their money!
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On the heels of
The Vampire Lovers quickly followed the very controversial sequel,
Lust For A Vampire. It was controversial in the sense that everyone seems to have an extremely different opinion about it. But what's most surprising is the opinions of those who actually worked on it!
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Marisa Mell claimed this to be one of her most enjoyable film roles, taking into consideration her personality and hectic love life it's not surprising. Her performance manages to save this film from being another bland Italian comedy.
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Never once was I bored as Ingrid Pitt, manages to flawlessly play a seductive vampire who toys with her prey or simply goes for a jugular. After viewing this it's quite clear why she is thought of by many as one of Hammer's top female icons.
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While Sergio Leone and Clint Eastwood were making history in Italy, here in the US we were churning out films like
100 Rifles,
a western with the football player Jim Brown as a "policeman", Burt Reynolds as an Indian, and Raquel Welch as the only reason anyone bothered seeing this film!
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Danger Diabolik proves that a well crafted film from a comic book series can be done with no CGI, stay loyal to the lore, and do it on a budget that is less than what a modern day film likely spends on craft services. And in the end be one of the most underrated top comic book films ever made.
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What other actress had the vast number of roles and presence in almost every genre of Italian cult film yet quickly became typecast as the veritable prostitute of Italian cult cinema, effectively in the end being tossed aside like one and never gaining nearly the popularity as some of her peers who took on a lot of the similar roles.
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What happens when the great 007 meets his untimely demise? Where does the British Secret Service turn to replace 007? Well the unemployment office of course!
Dirk Bogarde and the lovely
Sylva Koscina star in this campy spy comedy about an out of work writer who unknowingly accepts the job of an undercover spy.
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Italian comedy icon Toto
Esposito can survive WWII, the Nazis and a life of poverty in Are We Men or Corporals, but can he survive a broken heart and the constant feeling of "the man" (or Corporals) with their foot on his face shoving him back down? The film also features the first appearance of cult film icon Sylva Koscina.
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Death Wish meets Karate Kid, with some "women in prison" exploitation mixed in for kicks in this amazingly entertaining 1980's cult film starring the busty Karin Mani. She isn't afraid to get her hands dirty, or let people watch her clean herself off! But don't get too close because this pussy cat has claws and she isn't afraid to use them!
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The age old story of disputed love between the wealthy and the poor. How do you improve upon a plot that's been recycled since almost the beginning of time? Well, Monica Bellucci in a corset or giving herself a sponge bath is a start.
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From Miss Universe finalist to German, Italian and Mexican film supporting actress,
Christa Linder may have never found the fame that many other European cult film actresses did but she certainly played the field and managed to carve a small and successful career for herself in acting and modeling.
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Monica Bellucci is breathtaking, and it's interesting to see that her first on screen role essentially was the basis for the proactive roles she'd be known for taking on most of her career. From day one she decided to follow the motto "if you've got it, flaunt it".
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